Scripture Focus: 1 Corinthians 14.3, 26
But the one who prophesies speaks to people for their strengthening, encouraging and comfort…What then shall we say, brothers and sisters? When you come together, each of you has a hymn, or a word of instruction, a revelation, a tongue or an interpretation. Everything must be done so that the church may be built up.
Reflection: Critique that Builds Up
By John Tillman
As an actor, director, and teacher of theatre, I have a heightened appreciation for many aspects of theatre and a broader palette of theatrical taste than the average entertainment seeker. But in the wrong circumstances, I can turn into a cynical critic of performances, spotting errors that others don’t notice and cringing at choices that seem fine to the audience.
A similar thing can happen to those experienced in leading worship in any capacity. When they are not leading, those who are experienced leaders and designers of worship can be the most passionate participants, but can also be the most bitter of critics.
Dissatisfaction with forms of worship is not new. (Jesus clearing the Temple comes to mind.)
In 1 Corinthians 14, Paul seemed especially concerned for Christian worship to develop an ordered, discernable form. He desired a form with functions both of edification of believers and evangelization of non-believers and outsiders. He wanted believers not to simply be emotionally entertained, but intellectually informed. He wanted believers not to display mere intellectual prowess, but to faithfully demonstrate the power of God.
Paul speaks in the manner of a director giving notes, or a stage manager calling the cues:
“Two or three should speak. No more. Don’t pull focus. Don’t improvise things that are over the audience’s head. If they can’t understand it, they won’t come back. Stop talking over other people’s lines!”
One of the most valuable things that a healthy experience in theatre can teach, is to give and take criticism. You learn to “take the note.” This means owning the mistake, as well as the responsibility for correcting it. In theatre, when you get a note, you are being called out for an error. Healthy notes are given in love—love for participants, for the source material, and for the audience.
As critical as Paul is, he never loses his love for what is happening. He doesn’t allow critique to turn bitter and cynical. Paul’s relationship with the Corinthian church is tumultuous and passionate. In the messiness of this scandal-filled church, we see a mirror held up to our modern institutions of worship.
May we seek the passion of Paul for worship done well, without losing his love for worshipers even when they do everything wrong.
May our critiques be loving and build others up—never cynical call-outs and tear-downs.
Divine Hours Prayer: The Morning Psalm
Hear, O my people, and I will admonish you: O Israel, if you would but listen to me!
There shall be no strange god among you; you shall not worship a foreign god.
I am the Lord you God, who brought you out of the land of Egypt and said, “open your mouth wide, and I will fill it.” — Psalm 81.8-10
– From The Divine Hours: Prayers for Summertime by Phyllis Tickle.
2 Samuel 3 (Listen – 6:35)
1 Corinthians 14 (Listen – 5:40)
Read more from Lewis on Liturgiology — Part 1
Every service is a structure of acts and words through which we receive a sacrament, or repent, or supplicate, or adore.
Read more about Rumors or Repentance
When someone critiques you and calls you to repent, what will you do?